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David Cox (1783-1859) View of Oystermouth Castle
David Cox (1783-1859)
View of Oystermouth Castle from a Skiff in Swansea Bay
Watercolour and bodycolor over graphite on wove paper. Presented in a new mount with old labels verso.
Signed and dated David Cox 1837 (lower left). A further inscription written in pencil on the back of the watercolour reads: South Coast of Wales - Bristol Channel - David Cox - Lent by Mr Edward Swinburne.
Provenance: Edward Swinburne: Albany Gallery, London.
It is highly likely that Cox submitted this watercolour to Wrightson and Webb for publication in Thomas Roscoe’s book: Wanderings and Excursions in South Wales, [1837] if so, then the scene had been rejected for an alternative view of ‘Mumbles Lighthouse’ by E. Watson, illustrated chapter XV, between pages 224 and 225.
However, the following description given by the author, Thomas Roscoe, relates very closely to our watercolour chapter XV pages 223-224.
Thomas Roscoe (1791-1871). Wanderings and Excursions in South Wales Including the Scenery of the River Wye. London: C. Tilt and Simpkin and Co. Birmingham: Wrightson and Webb, [1837]. Steel engravings by William Radclyffe.
Pages 223-224: The sweep of Swansea Bay comprehends many objects of great interest. In an angle formed by the indention of its bending shore, about five miles from the town, stands the remains of Oystermouth Castle. This fortress occupies a gentle eminence close to the shore and belonged from a remote period to the Lords of Gower. Its walls are still nearly entire. In the hour of its pride, it has frowned defiance upon many hostile hosts that have successively unfurled their banners before it. To add to its strength and importance, tradition relates that a subterraneous communication was made between this castle and Swansea. Its bold and majestic ruins are now seen by the far-off mariner from his skiff on the waters.
The pleasant village of the same name spreads its scattered habitations on the declivity of the hilly range near which the castle stands, under the shadow of a limestone rock, and reaches to the dry and somewhat elevated part of the beach within the Mumble’s Point. This later object is a bold rocky projection, running some distance into the sea, and bears the Pharos of the part of the Island coast which is washed by the waters of the Bristol Channel.
Cox provided forty-nine illustrations for his last and most extensive venture into book illustration in Thomas Roscoe’s two volumes on Wales. As with Graphic Illustrations of Warwickshire a decade earlier, his involvement in the project was the result of his friendship with the Birmingham engraver William Radclyffe.
The ninety-nine steel-engraved plates of the two books on Wales constitute Radclyffe’s most ambitious work, and it was he who persuaded the Birmingham publishers, Wrightson and Webb, to commission Cox to provide drawings for engraving. Radclyffe’s intention was that Cox be responsible for all the illustrations however, the publishers also commissioned other artists, including George Cattermole, Anthony Vandyke Copley Fielding, James Duffield Harding, Thomas Creswick, and, in the second volume, David Cox Jr. Nonetheless, Cox provided half the illustrations: thirty-one of the fifty-one plates in Wanderings and Excursions in North Wales and eighteen of the forty-eight plates in the companion volume on South Wales which appeared around a year later.
Cox travelled in Wales in the early autumn of 1836, making drawings for the project. In October he stayed with Radclyffe in Birmingham, and, in a letter of 13 October, he wrote that he was busy preparing a drawing for the engravers. This must have been for the second volume, on which Cox was still at work in March the following year. In a letter to William Turton, 22 March 1837, Cox wrote: “For the last fortnight I have been so much engaged finishing the remainder of the Drawings for S. Wales”.
PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd
Private dealer
By appointment only
Powys
Mid Wales
Tel : 01982 570768
Non UK callers : +44 1982 570768
View of Oystermouth Castle from a Skiff in Swansea Bay
Watercolour and bodycolor over graphite on wove paper. Presented in a new mount with old labels verso.
Signed and dated David Cox 1837 (lower left). A further inscription written in pencil on the back of the watercolour reads: South Coast of Wales - Bristol Channel - David Cox - Lent by Mr Edward Swinburne.
Provenance: Edward Swinburne: Albany Gallery, London.
It is highly likely that Cox submitted this watercolour to Wrightson and Webb for publication in Thomas Roscoe’s book: Wanderings and Excursions in South Wales, [1837] if so, then the scene had been rejected for an alternative view of ‘Mumbles Lighthouse’ by E. Watson, illustrated chapter XV, between pages 224 and 225.
However, the following description given by the author, Thomas Roscoe, relates very closely to our watercolour chapter XV pages 223-224.
Thomas Roscoe (1791-1871). Wanderings and Excursions in South Wales Including the Scenery of the River Wye. London: C. Tilt and Simpkin and Co. Birmingham: Wrightson and Webb, [1837]. Steel engravings by William Radclyffe.
Pages 223-224: The sweep of Swansea Bay comprehends many objects of great interest. In an angle formed by the indention of its bending shore, about five miles from the town, stands the remains of Oystermouth Castle. This fortress occupies a gentle eminence close to the shore and belonged from a remote period to the Lords of Gower. Its walls are still nearly entire. In the hour of its pride, it has frowned defiance upon many hostile hosts that have successively unfurled their banners before it. To add to its strength and importance, tradition relates that a subterraneous communication was made between this castle and Swansea. Its bold and majestic ruins are now seen by the far-off mariner from his skiff on the waters.
The pleasant village of the same name spreads its scattered habitations on the declivity of the hilly range near which the castle stands, under the shadow of a limestone rock, and reaches to the dry and somewhat elevated part of the beach within the Mumble’s Point. This later object is a bold rocky projection, running some distance into the sea, and bears the Pharos of the part of the Island coast which is washed by the waters of the Bristol Channel.
Cox provided forty-nine illustrations for his last and most extensive venture into book illustration in Thomas Roscoe’s two volumes on Wales. As with Graphic Illustrations of Warwickshire a decade earlier, his involvement in the project was the result of his friendship with the Birmingham engraver William Radclyffe.
The ninety-nine steel-engraved plates of the two books on Wales constitute Radclyffe’s most ambitious work, and it was he who persuaded the Birmingham publishers, Wrightson and Webb, to commission Cox to provide drawings for engraving. Radclyffe’s intention was that Cox be responsible for all the illustrations however, the publishers also commissioned other artists, including George Cattermole, Anthony Vandyke Copley Fielding, James Duffield Harding, Thomas Creswick, and, in the second volume, David Cox Jr. Nonetheless, Cox provided half the illustrations: thirty-one of the fifty-one plates in Wanderings and Excursions in North Wales and eighteen of the forty-eight plates in the companion volume on South Wales which appeared around a year later.
Cox travelled in Wales in the early autumn of 1836, making drawings for the project. In October he stayed with Radclyffe in Birmingham, and, in a letter of 13 October, he wrote that he was busy preparing a drawing for the engravers. This must have been for the second volume, on which Cox was still at work in March the following year. In a letter to William Turton, 22 March 1837, Cox wrote: “For the last fortnight I have been so much engaged finishing the remainder of the Drawings for S. Wales”.
PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
Price The price has been listed in British Pounds.
Conversion rates as of 9/MAY/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
DimensionsSheet: 8 x 12 in. (20.5 x 30.7 cm.)
Image: 7 7/8 x 12 in. (20.1 x 30.3 cm.)
Mount: 13 3/4 x 17 3/4 in. (35 x 45 cm.)
Date 1837
Early Victorian Antiques Material Paper
Origin English
Artist David Cox
Condition This watercolour has been cleaned and mounted by an accredited paper conservator
Item code as176a795
Status Sold
£0 
$0.00 
€0.00 
$
€
Conversion rates as of 9/MAY/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
Shipping information
All our prices include FREE packing and delivery within the UK.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
Terms and conditions
Returns and Complaints
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
View all stock from
Radnorshire Fine Arts Ltd
Private dealerBy appointment only
Powys
Mid Wales
Tel : 01982 570768
Non UK callers : +44 1982 570768
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