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M.T.Hla (U Tun Hla) - (1874-1946, Burmese.)

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M.T.Hla (U Tun Hla) - (1874-1946, Burmese.) %%alt5%% %%alt6%%
Landscapes of Burma
Each signed (lower right)
Watercolours (5) each mounted separately
Provenance Smart & Mookerdum, Booksellers & Stationers, 537, Randeria Buildings, Merchant Street, Rangoon

The Burmese artist U.M.T. Hla (U is the Burmese approximation for Mr), was a watercolour and oil painter who painted in the Western style. M.T. Hla was the signature he used for signing his paintings, which was apparently derived from the initials in the name Maung Tun Hla. In the early 1900s, Hla encountered the British artist Sir Gerald Kelly (1879–1972) who travelled to Burma to paint and who later established his reputation in England largely through his landscapes of Burma and portraits of Burmese dancers and ladies. Gerald Kelly subsequently became a painter of note in Britain, becoming Official Portrait Artist to the King and Queen during World War II and becoming President of the Royal Academy of Art from the 1949 to 1954. Hla received traditional instruction in Western painting techniques and undertook commissions to paint banners and other decorations associated with Burmese Buddhist celebrations and ceremonies. It is likely that most of the artist's works were acquired by colonial administrators and their families and brought back to England and Scotland in the early twentieth century. It would appear that very few of the artist's works have survived in Asia. Several paintings by M.T. Hla are found in the collection of the National Museum, Myanmar. Ranard observes that twelve of the artist's paintings survive in the collection of Denison University (Ohio). (Ranard reproduces five M.T. Hla paintings in his book.) M.T. Hla is historically important in the development of modern Burmese painting. His work represents a break with traditional styles of painting and heralds the evolution of a vibrant and dynamic painting scene in Burma which lasts to this day.

References
Khin Muang Nuynt et al, Myanmar Painting From Worship to Self-Imaging, EvoHeritage, 2006. Ranard, A., Burmese Painting A Linear and Lateral History, Silkworm Books, 2009.
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CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
Price
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 SOLD
 
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DimensionsImages approximately 6 in x 8 in. (15 cm x 20 cm.) Mounts 11 1/4 in x 12 7/8. (28.5 cm x 32.6 cm.) Period Early 20th Century Antiques Material Paper Origin Burmese Condition Each watercolour has been cleaned and mounted by an accredited paper conservator Item code as176a408 Status Sold

SellerRadnorshire Fine Arts Ltd

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Radnorshire Fine Arts Ltd


Radnorshire Fine Arts LtdPrivate dealer
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Mid Wales

Tel : 01982 570768

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M.T.Hla (U Tun Hla) - (1874-1946, Burmese.)
 
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