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Radnorshire Fine Arts Ltd
Tel01982 570768Please quote Antiques Atlas.
W L Wyllie HMS Champion Signed Etching
Set of Six 19th Century Framed Etchings
1850 H.G.Bohn Jas. Gillray Restrike No.37 Election
Etching by Ian Fleming "What Is Life"
Signed Etching Of River & cathedral By R. Winter
Ambroise-Louis Garneray 2 Hand Coloured Aquatints
Frank Greenwood Etching Of Manchester University
Decorative Etchings Of 'Old Manchester'.
Pair Of Original Etchings By Jean Baptiste Guelard
Admiral Lord Nelson Pair Naval Officer Engravings
Herbert Dicksee (1862-1942) 'The King' etching
Herbert Dicksee 'In The Enemy's Country, etching
Non UK callers :
+44 1982 570768
'Music', etching by William Strang (1859-1921)
Drypoint etching on white wove paper (Circa 1910)
Mounted
Signed and inscribed in pencil 'Wm Strang Fec. DB.' (lower right) '1st State. 3 proofs of which only 2 were signed DB.' (lower left) '627 (513) Music. 1st. state (before cutting plate.)' (left side lower edge) 'Plate cut hear before 2nd state.' (right side lower edge)
Note: A comparable work can be viewed online at the National Galleries Scotland website.
William Strang was born in Dumbarton, Scotland on 3 February 1859. He died in Bournemouth, England on 12 April 1921. Scottish painter and printmaker. Following a brief apprenticeship with a shipbuilding firm in Clydesdale, he entered the Slade School of Art (1876) where he adhered to the uncompromising realism advocated by his teacher Alphonse Legros. After completing his studies at the Slade (1880), Strang became Legros’s assistant in the printmaking class for a year. For the next 20 years he worked primarily as an etcher. His etchings include landscapes in the tradition of Rembrandt, pastoral themes indebted to Giorgione and macabre genre subjects, marked by a sense of tension and suspended animation. He also etched 150 portraits of leading artistic and literary figures. The commitment to realism and psychological intensity that characterizes the best of Strang’s etched work is also evident in the paintings that dominated the latter half of his career. The influence of the Belgian and French Symbolists’ work and Strang’s growing confidence in the handling of colour combined in his mature style with a linear clarity and schematic colouring that is best seen in such works as Bank Holiday (1912 London, Tate). His oil portraits, for example Vita Sackville-West as Lady In a Red Hat (1918 Glasgow, A.G. & Mus.), are strikingly potent images of their time. An important collection of Strang’s graphic work is in the Art Gallery and Museum in Glasgow. His sons Ian Strang (1886–1952) and David Strang (b 1887) were also printmakers.
PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd
Private dealer
By appointment only
Powys
Mid Wales
Tel : 01982 570768
Non UK callers : +44 1982 570768
Mounted
Signed and inscribed in pencil 'Wm Strang Fec. DB.' (lower right) '1st State. 3 proofs of which only 2 were signed DB.' (lower left) '627 (513) Music. 1st. state (before cutting plate.)' (left side lower edge) 'Plate cut hear before 2nd state.' (right side lower edge)
Note: A comparable work can be viewed online at the National Galleries Scotland website.
William Strang was born in Dumbarton, Scotland on 3 February 1859. He died in Bournemouth, England on 12 April 1921. Scottish painter and printmaker. Following a brief apprenticeship with a shipbuilding firm in Clydesdale, he entered the Slade School of Art (1876) where he adhered to the uncompromising realism advocated by his teacher Alphonse Legros. After completing his studies at the Slade (1880), Strang became Legros’s assistant in the printmaking class for a year. For the next 20 years he worked primarily as an etcher. His etchings include landscapes in the tradition of Rembrandt, pastoral themes indebted to Giorgione and macabre genre subjects, marked by a sense of tension and suspended animation. He also etched 150 portraits of leading artistic and literary figures. The commitment to realism and psychological intensity that characterizes the best of Strang’s etched work is also evident in the paintings that dominated the latter half of his career. The influence of the Belgian and French Symbolists’ work and Strang’s growing confidence in the handling of colour combined in his mature style with a linear clarity and schematic colouring that is best seen in such works as Bank Holiday (1912 London, Tate). His oil portraits, for example Vita Sackville-West as Lady In a Red Hat (1918 Glasgow, A.G. & Mus.), are strikingly potent images of their time. An important collection of Strang’s graphic work is in the Art Gallery and Museum in Glasgow. His sons Ian Strang (1886–1952) and David Strang (b 1887) were also printmakers.
PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
Price The price has been listed in British Pounds.
Conversion rates as of 2/MAY/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
DimensionsSheet: 13 3/4 in x 12 1/2 in. (35 cm x 32 cm.)
Plate: 11 7/8 in x 11 3/4 in. (30.2 cm x 30 cm.)
Mount: 19 1/4 in x 17 3/4 in. (46.3 cm x 45 cm.)
Date c1910
1910s Antiques Material Paper
Origin English
Condition Very good, this print has been cleaned and mounted by an accredited paper conservator.
Item code as176a565
Status Sold
£0 
$0.00 
€0.00 
$
€
Conversion rates as of 2/MAY/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
Shipping information
All our prices include FREE packing and delivery within the UK.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
Terms and conditions
Returns and Complaints
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
View all stock from
Radnorshire Fine Arts Ltd
Private dealerBy appointment only
Powys
Mid Wales
Tel : 01982 570768
Non UK callers : +44 1982 570768
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W L Wyllie HMS Champion Signed Etching
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Signed Etching Of River & cathedral By R. Winter
Ambroise-Louis Garneray 2 Hand Coloured Aquatints
Frank Greenwood Etching Of Manchester University
Decorative Etchings Of 'Old Manchester'.
Pair Of Original Etchings By Jean Baptiste Guelard
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